A landscape, with a snow-capped mountain in the background and various trees in the foreground.
Endorsed with a label ‘[] Milliken Photo, Kirkcaldy N . B’ and manuscript label ‘P.G’.
A landscape, with a snow-capped mountain in the background and various trees in the foreground.
Endorsed with a label ‘[] Milliken Photo, Kirkcaldy N . B’ and manuscript label ‘P.G’.
Showing a [sculpture or architectural detail] of a woman, possibly a goddess , playing a harp.
Endorsed: ‘Definé par Bartolini. Gravé par Pierre Fontana de Rome’.
[Possibly Pierre Fontaine (1763-1853), French architect and decorator, who lived and worked in Rome at various points throughout his career].
Showing the arrangement of various temples around the interior of Olympus.
One copy is labeled: ‘William Hume, 1 Lothian Street , Edinburgh’. Other copy is labeled: ‘William Hume, 14 Lothian Street, Edinburgh’.
Comparing ‘Christian View’ of difficulties of transitions, sins and rites of passage with ‘Hellenic View’ of normal phases and rites of expression.
Showing Olympus and an industrial town, and relating to theological Olympus, war, individual progress, politics, science and industry (paleotechnic).
Showing Olympus and relating to idealism (vital Olympus), religion, synthesis, synergy, synthesis science (vital), ideal city and arts (paleotechnic).
Birds-eye view of [Olympus] similar to T-TYR 8/7/1 [https://www.ica-atom.org/strathclyde/glass-slide-of-pen-sketch-by-pan-olympus;isad]
Showing [Olympus] as a tower and domed temple on top of a hill.
Label: ‘William Hume, 14 Lothian Street, Edinburgh’.
Showing Olympus, surrounded by clouds and rising from a square grid. Around the grid are seven figures [which seem to relate to various phases of life through childhood, adolescence, maturity and senescence].
One copy is labeled: ‘William Hume, 1 Lothian Street, Edinburgh’.
One copy is labeled: ‘William Hume, 14 Lothian Street, Edinburgh’.
Showing [Olympus] as a tower and domed temple on top of a hill overlooking the ocean, with a winding road leading down to a seaside building.
Label: ‘William Hume, 14 Lothian Street, Edinburgh’.
Shows men of various occupations - hunter, shepherd, farmer- working on a slope. At the top of the slope is a town with a cathedral. At the bottom of the slope is a harbour town (also with a cathedral) and several boats in the harbour. [Possibly related to Patrick Geddes’ valley section diagrams].
Endorsed: ‘William Hume, 14 Lothian Street, Edinburgh’.
‘Contemporary Inversion of Apollo’s Hill’. Showing seven Olympic Gods as contemporary inverted social types: Eros or the Urchin; Hermes or Gamin; Dionysos or Hooligan; Apollo or Prig; Ares or Jingo; Hephestos or Drudge; Zeus or Dotard.
Label: 'William Hume, 1 Lothian Street, Edinburgh’
‘Life’, ‘Normal’ (Paradises, Gods, Muses) and ‘Abnormal’ (Hells, Demons, Furies).
Showing the Camera Obscura and contents of the various levels of the Outlook Tower, Edinburgh.
Positive copy label: ‘William Hume, 14 Lothian Street, Edinburgh.
‘As with “Stone Age” we distinguish (A) Paleolithic →, (B) Neolithic: so with ”Industrial Age”, we distinguish (A) Paleotechnic →, (B) Neotechnic’ .