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Map of the city of Rome, comprising sixteen sheets mounted on linen backing.

'Pianta topografica della citta di Roma dell'anno 1818.'
'Pietro Ruga inc.'
'Si vende in Roma da Nicola de Antoni in Piazza di Spagna N. 84'

Scale unspecified.

Sixteen insets in margin depicting ground plans of notable buildings at Rome.

'Plan of the Passeggiata Archaeologica et Zona Monumentale, Rome'

Anon.

Scale unspecified.

From an unidentified publication.

'Ancient Rome. From the Picture in the National Gallery.'
'J. M. W. Turner, R. A. pinx[i]t'
'A. Willmore, sculp[si]t'

Arthur Willmore after Joseph Mallord William Turner.

Engraving after Turner's painting 'Ancient Rome; Agrippina landing with Ashes of Germanicus. The Triumphal Bridge and Palace of the Caesars restored' (1839).

'Holy City' endorsed in bottom margin in manuscript in pencil [by Patrick Geddes].

Two reproductions of photographs of models and one plan of ancient Rome, mounted on one sheet.

• 'Model of Rome in the Walker Art Gallery, Liverpool.'
• Reproduction of a photograph of a model of ancient Rome by P. Bigot, architect
• 'Model [as above] and Plan of Ancient Rome. - By Monsieur P. Bigot'; Anon.; Paul Marie Arsène Bigot

'Paris A Hauser Boulev. des Italiens, II.'

Plate number 10 from 'L'Italie a vol d'oiseau'.

'Veduta di altra parte della Camera Sepolcrale di L. Arrunzio [...]'
'Piranesi Architetto disegn. e. scolp.'

'Ed Yates' endorsed bottom right corner in manuscript in pencil.

'[ ]' [monogram] endorsed on reverse in bottom right corner.

Watermark (French Lilly in Oval) in left half of sheet.

From 'Le Antichità Roma (1756) (Wilton-Ely, John, 'Giovanni Battista Piranesi: the complete etchings' (San Francisco: Alan Wofsy Fine Art, 1992-1994), 1, no. 367).

Anon.

'Veduta dell'Anfiteatro Flavio, detto il Colosseo'
'Presso l'Autore a Strada Felice vicino alla Trinità de Monti'
'Piranesi F.'

'29' and '781' endorsed in top right corner.

'X' endorsed in bottom left corner.

'Regia Calcografia di Roma' embossed with stamp in bottom left corner.

'[ ]' embossed in bottom margin.

'135' [Cities Exhibition] endorsed in bottom right corner in manuscript in pencil.

From 'Vedute di Roma' (late 1740s to after 1760) (Wilton-Ely, John, 'Giovanni Battista Piranesi: the complete etchings' (San Francisco: Alan Wofsy Fine Art, 1992-1994), 1, no. 191).
This print is a later impression made at the Calcografia Nazionale (previously Calcografia Reale) in Rome after 1839 (Wilton-Ely, John, 'Giovanni Battista Piranesi: the complete etchings' (San Francisco: Alan Wofsy Fine Art, 1992-1994), 2, appendix no. 781).

'Plan I' labelled in bottom margin.

'R. Sellier' perspective view inscribed in bottom left.

'Foro Roman Anno 1879'
'Eliotipia Martelli Roma'

Anon.

'The Forum Romanum in the XIXth century. - From a drawing by Mr. A. C. Conrade'

From 'The Builder, January 2, 1909'.

'Basilicas + Forums' endorsed in manuscript in pencil on reverse.

'The columns of the Temple of Jupiter Tonans, as seen in the eighteenth century. (From Piranesi's 'La Vedute Romane')'

Reproduction of a Piranesi etching.

Text on the reverse.

From an unidentified publication.

Three views of Piazza Navona in Rome, mounted on one sheet.

Various authors.

Various dates.

• 'View of the Church of St Agnes in the Piazza Navona, Rome.'; [Title repreated in French and German]; 'Drawn by G. B. Moore'; 'Engraved by Frederick Smith'; 'London, Published March 1, 1837; by W. B. Cooke [...]'; Frederick Smith after G[ ] B[ ] Moore; 1837; black and white; engraving; 13.6 x 17.1 cm on 19.3 x 24.7 cm sheet.

• 'Veduta della gran Piazza Navona, ov' era anticamente il famoso Cico Agonal fatto de Aleßsandro Severo, che quivi presso aveva le sue Terme.'; [Title repreated in French]; 'Gio. Acquaroni e P. Parnoni inc. 1825'; 'In Roma presso G. Antonelli in Piaz. di Sciarra N. 233'; 31.5 x 22.4 cm on 38.8 x 30.7 cm sheet; '18' endorsed in top right corner.

• 'Veduta di Piazza Navona sopra le rovine del Circo Agonale'; 'Piranesi del. sc.'; Giovanni Battista Piranesi; No date [c. 1750-1760]; black and white; engraving; 54.6 x [35.6] cm on [54.8] x [37.4] cm sheet on 55.3 x [38.4] cm cardboard backing; From 'Vedute di Roma' (late 1740s to after 1760) (Wilton-Ely, John, 'Giovanni Battista Piranesi: the complete etchings' (San Francisco: Alan Wofsy Fine Art, 1992-1994), 1, no. 143); Printed image incomplete along top margin, vertical cuts along both smaller ends.

Landscape with the ruins of the Palatine.

'S. à Bolswert sculpsit'
'Pet. Paul Rubbens pinxit Romæ'
'Gillis Hendrix excudit Antwerpæ'

Gillis Hendrix and S[ ] Bolswert after Peter Paul Rubens.

'3/6' endorsed bottom right in manuscript in pencil.

'19 1/2 x 14 3/4' endorsed on reverse in manuscript in pencil.

Photomechanical reproduction of an impression of the engraving by Bolswert after Rubens's painting "Landscape with the ruins of the Palatine", commonly dated c. 1614/15 or earlier. (Wolfgang Adler: Landscapes and Hunting Scenes (I. Landscapes), 'Corpus Rubenianum Ludwig Burchard', Part XVIII (Oxford: Oxford University Press, 1982), pp. 66-69.)

Two engravings of the Pantheon.

Various authors.