Mostrar 685 resultados

Binder 1: Paper Boat exhibition, Winter Gardens, New York, July 1990, 25 colour transparencies; Paper Boat assembly, New York, July 1990, 31 colour transparencies; Paper Boat, New York, July 1990, 54 colour transparencies; Paper Boat, New York (day), July 1990, 19 colour transparencies; Paper Boat, New York (night), July/August 1990, 19 colour transparencies; Paper Boat, New York (personal and QEII sequence), July 1990, 33 colour transparencies; Paper Boat Spires, New York, July 1990, 4 colour transparencies; Paper Boat, Antwerp, October 1990, 75 colour transparencies.

Binder box 2: Paper Boat, Dumfries, May, July/August 1991, 112 colour transparencies; Paper Boat, Ayr, June 1994, 15 colour transparencies; Paper Boat, Forth, June 1995, 46 colour transparencies.

Contents previously stored in slide boxes.

Box 1: Puffer, November 1997, (7 colour transparencies), April 1999 (2 colour transparencies), July 2000 (5 colour transparencies); [MacGillivray Walk] Fochabers, May 1996, 7 colour transparencies, Foyers, May-June 1996, 15 colour transparencies, Beauly, June 1996, 7 colour transparencies, Poolewe, June, September 1996, 3 colour transparencies, Loch Maree, June 1996, 6 colour transparencies, Harris, June 1996, 8 colour transparencies; Ellon, September, November 1991, 50 colour transparencies; Alloa, May 1992, 18 colour transparencies; Portsmouth Harbour, August 1996, 16 colour transparencies; Portsmouth ‘Flight into Europe’, November 1992, 12 colour transparencies; Man of Straw, September 1991, March 1992, 37 colour transparencies; Thurso, April 1992, 10 colour transparencies; Tweed and Stornoway, February, August 1993, 20 colour transparencies; Lillie [Art Gallery, Milngavie], November 1993, January 1994, 46 colour transparencies; Lillie and RGI [Royal Glasgow Institute of Fine Art], December 1991/January 1992, 33 colour transparencies; Speug [Sparrow], July 1991, 22 colour transparencies; Princes Square [Glasgow] Peacock, April, June 1998, 23 colour transparencies; Falkirk BR [British Rail], February 1992, 5 colour transparencies; Kvaerner, June 1998, April 1999, 20 colour transparencies.

Box 2: Exhibition at Benjamin Rhodes Gallery, London, December 1990 [Dark Side of the Moon], 17 colour transparencies; Unidentified slides, October 1990, 11 colour transparencies; Open Eye Gallery, Edinburgh exhibition, October 1995, 27 colour transparencies; Tron Kirk, December 1992/January 1993, 30 colour transparencies; Croc, December 1991, 18 colour transparencies; Barbara’s Tree, April 1996, 11 colour transparencies; Fish, October 2000, 24 colour transparencies; Life Cycle, June 1994, 27 colour transparencies; Miscellaneous Bikes, December 1992, February 1993, April & June 1994, 31 colour transparencies; PWK, November 1993, 21 colour transparencies; Stag, November 1999, July 2000, 6 colour transparencies; The Call of the Sea, May/June 1997, 12 colour transparencies; Own work, 1970s-1990s, 38 colour transparencies; Tatlin and Kilmany, September 1993, August & November 1995, 28 colour transparencies; Demarco [A Very Merry Christmas exhibition], January 1994, 8 colour transparencies; [Atlantic Vent?] May 2000, July 2001, 27 colour transparencies.

Box 3: Domestic, 1980s-1990s, 164 colour transparencies; Holiday photographs [some faded], July 1986 and undated, 34 colour transparencies; Dennis, February 1990, 16 colour transparencies; Jen’s family [faded], undated, 19 colour transparencies; Miscellaneous, some unidentified, 1990s, 26 colour transparencies; Unidentified slides, 1990s, 172 colour transparencies.

Box 4: Miscellaneous unidentified slides, 1980s-1990s, 320 colour transparencies.

Catalogue and poster for Scul?ture: a diversion into three dimensional humour by George Wyllie at Collins Exhibition Hall, University of Strathclyde, Glasgow, 3-28 September 1976.

‘Surrealism – A Personal View’, lecture to the Orkney Arts Society, Kirkwall Library, 17 November 1983; special talk to full-time fine art students at the Nanyang Academy of Fine Arts, in co-ordination with the British Council, San San Campus, 22 February 1993; ‘George Wyllie and Scul?ture’, a one day workshop and lecture for students at the Bartlett School of Architecture, 11 June 1993; ‘There is no Sanity Clause’: Christmas lecture at the an Lanntair Arts Centre, Stornoway, Isle of Lewis, 17 December 1992; ‘Aspects of Scottish Sculpture’, a talk at the Collective Gallery, Edinburgh, 22 July [year not stated]; ‘An evening with George Wyllie: performance, lecture and tour as devised by the artist’, Crawford Arts Centre, St Andrews, 15 January [year not stated]; talk on Scul?ture and other aspects of Wyllie’s work at Saltcoats Town Hall, 22 March [year not stated]; ‘Art in the Park: celebrate Mayfest with George Wyllie and the Saltire Society’, Glasgow Botanic Gardens, 11 May [year not stated]; ‘Locomotive Immortality: the pataphysical approach to arch!tecture’ [date, year and venue not stated]; ‘Corrupting the Young’: hand-painted poster for a performance and lecture at the ‘Mac Lec Theatre’ [date and year not stated]; untitled talk about his work, to be delivered as part of a festival at the Granary [date, year and town not stated]; untitled, free talk about his work, to be delivered in the drama studio [date, town and venue not stated].

Invitation to preview on 7 January 1981, press release, catalogue notes and posters for A Way with the Birds and other Scul?ture at Collins Exhibition Hall, University of Strathclyde, Glasgow, 8-28 January 1981.

Still Life with Crocodile: two handwritten posters (slight differences), each signed by George Wyllie and dated 1981.

Flyer and posters for Summer Show, 2: George Wyllie [and Elizabeth Ogilvie] at Serpentine Gallery, London, 8 August-6 September 1981.

Black and white poster handwritten and signed by George Wyllie, 1981.

Flyer and poster for A Day down a Goldmine: exhibition by George Wyllie at Third Eye Centre, Glasgow, 17 July -7 August 1982.

Poster for A Day down a Goldmine: play by George Wyllie, with Russell Hunter, at Third Eye Centre, Glasgow, 6-7 August [1982]. Colour poster handwritten by George Wyllie.

Posters for ‘The Undiscovery of Architecture’: one poster is handwritten by George Wyllie.

Catalogue for Excavating for a Mine: the notebook for a scul?tural dig: exhibition by George Wyllie at Crawford Centre for the Arts, St Andrews, 11 May-3 June 1984; Crawford Centre Summer season programme, 1984.

Catalogue, invitation to private view on 9 June 1984 and poster for Excavations from a mine: a scul?tural dig: exhibition by George Wyllie at Art Space, Aberdeen, 9-27 June 1984; Art Space programme, May-June 1984.

[Later exhibited at Worcester Art Museum, Massachusetts, USA, 1984.]

Catalogue, invitation to preview on 13 December 1984 and poster for Christmas Day down a Goldmine: exhibition by George Wyllie at Watermans Arts Centre, Brentford, 14 December 1984-13 January 1985.

Invitation to private view on 22 April 1985 and poster for Friendship paintings by Jens Jensen and George Wyllie at Goethe Institut/Scottish German Centre, Glasgow, 22 April-8 May 1985; Goethe Institute programme, April-May 1985.

Posters for A Day down a Goldmine play at Wildman Rooms, Assembly Rooms, Edinburgh, 25-31 August 1985; Assembly Rooms Edinburgh Festival programme, 1985; Original Earth Guarantee: handbill.

[Play won Fringe First Award.]

Poster and programme for A Day down a Goldmine play at Institute of Contemporary Arts (ICA), London, 14-25 January 1986, Joint Jock Production; ICA January 1986 programme; ICA Theatre: Winter projects programme, 1986.

Programme and poster for A Day down a Goldmine: play by George Wyllie, with Mr Wyllie and Tony Gorman, Immediate Theatre Company at Third Eye Centre, [Glasgow], 17-21 February [1986?].