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Photographs of sculptures by George Wyllie. Includes 'The Call of the Sea' sculptures.

Photographs of George Wyllie and his sculptures including the Holyrood sign at Arthur's Seat, Edinburgh, 'Life Cycle', 'The Great European Cuckoo Clock', 'A Bumper Dragon' and 'A Day Down A Gold Mine'.

Album of photocopies of Spire sculptures with manuscript captions.

Includes one photograph of construction of the Running Clock sculpture.

Includes photographs of 'Adam's other book', 'Spikey burd', 'Chuckie Soup', spires and other sculptures or commissions.

Religious, [1967-1969], 1972, June 1976, September 1982, January/February 1993, April 1999, 101 colour transparencies; War memorial, St John’s, Oban, July 1986, 13 colour transparencies.

Kelvingrove [Art Gallery and Museum, Glasgow] Cafe, September 1993, November 1994, March 1995, April 1998, 23 colour transparencies; Interior design (miscellaneous), 1976-1991, 28 colour transparencies; Interior design, 1968-1995, 281 colour transparencies.

GA [General Accident, Perth], February, August and November 1983, 107 colour transparencies; Flexies [some taken in Wyllie’s garden in Gourock], November 1976, February and July 1983 and July 1984, 28 colour transparencies; Cradles, 1983 and November 1988, 12 colour transparencies; Pata-Probe, Synenergezetic sculpture, April 1994 and Small Trees, 15 colour transparencies.

Tegel Bikes, June 1993, 48 colour transparencies; Oasis, May-June 1988, 27 colour transparencies; Architects Workshop, May-June 1993, 9 colour transparencies; Wally Dugs, January 1994, April 1995, 41 colour transparencies; The ‘Factory’ and Port Glasgow, March 1989, 15 colour transparencies; AMARC Tugboat, April 1990, 2 colour transparencies; Perth Elephant, April 1996, 10 colour transparencies.

Paper Boat, London, September and December 1989, 122 colour transparencies; Festival Hall Paper Boat exhibition, September 1989, 4 colour transparencies; Bluecoat [Gallery], Liverpool Paper Boat exhibition, August/September 1989, 68 colour transparencies.

Strathdon 1994, June 1992 [sic], 32 colour transparencies; Strathdon 1995, July/August 1995, 68 colour transparencies; Islay Goose, June 1993, 43 colour transparencies; Islay, March/April 1992, 44 colour transparencies; Islay and Jura Spiral Project, March 1993, 35 colour transparencies; Post Box (Red Palm Tree), Isle of Lewis, February 1993, 10 colour transparencies and July 1994, 4 colour transparencies; Herring Drifter, Stornoway, August 1993, 2 colour transparencies; Mull - Calgary, July 1996, 27 colour transparencies and business card from Cultural Engineers, Pittsburgh, USA; Mull Fablevision, September 1993, 18 colour transparencies; An Lanntair [Gallery, Stornoway], August/September 1989, 3 colour transparencies.

Hiroshima, George Square [Glasgow], August 1995, 44 colour transparencies; Gently does it, [undated - 1990s], 13 colour transparencies; And-I, [undated - 1990s], 16 colour transparencies; Seagull and Pigeon, August 1997, May 1998, 13 colour transparencies; Stones of Scotland, April, June 1998, May/June 1999, May 2000, 12 colour transparencies; Crystal Ship – [no transparencies present].

Contents previously stored in slide boxes.

Box 1: Puffer, November 1997, (7 colour transparencies), April 1999 (2 colour transparencies), July 2000 (5 colour transparencies); [MacGillivray Walk] Fochabers, May 1996, 7 colour transparencies, Foyers, May-June 1996, 15 colour transparencies, Beauly, June 1996, 7 colour transparencies, Poolewe, June, September 1996, 3 colour transparencies, Loch Maree, June 1996, 6 colour transparencies, Harris, June 1996, 8 colour transparencies; Ellon, September, November 1991, 50 colour transparencies; Alloa, May 1992, 18 colour transparencies; Portsmouth Harbour, August 1996, 16 colour transparencies; Portsmouth ‘Flight into Europe’, November 1992, 12 colour transparencies; Man of Straw, September 1991, March 1992, 37 colour transparencies; Thurso, April 1992, 10 colour transparencies; Tweed and Stornoway, February, August 1993, 20 colour transparencies; Lillie [Art Gallery, Milngavie], November 1993, January 1994, 46 colour transparencies; Lillie and RGI [Royal Glasgow Institute of Fine Art], December 1991/January 1992, 33 colour transparencies; Speug [Sparrow], July 1991, 22 colour transparencies; Princes Square [Glasgow] Peacock, April, June 1998, 23 colour transparencies; Falkirk BR [British Rail], February 1992, 5 colour transparencies; Kvaerner, June 1998, April 1999, 20 colour transparencies.

Box 2: Exhibition at Benjamin Rhodes Gallery, London, December 1990 [Dark Side of the Moon], 17 colour transparencies; Unidentified slides, October 1990, 11 colour transparencies; Open Eye Gallery, Edinburgh exhibition, October 1995, 27 colour transparencies; Tron Kirk, December 1992/January 1993, 30 colour transparencies; Croc, December 1991, 18 colour transparencies; Barbara’s Tree, April 1996, 11 colour transparencies; Fish, October 2000, 24 colour transparencies; Life Cycle, June 1994, 27 colour transparencies; Miscellaneous Bikes, December 1992, February 1993, April & June 1994, 31 colour transparencies; PWK, November 1993, 21 colour transparencies; Stag, November 1999, July 2000, 6 colour transparencies; The Call of the Sea, May/June 1997, 12 colour transparencies; Own work, 1970s-1990s, 38 colour transparencies; Tatlin and Kilmany, September 1993, August & November 1995, 28 colour transparencies; Demarco [A Very Merry Christmas exhibition], January 1994, 8 colour transparencies; [Atlantic Vent?] May 2000, July 2001, 27 colour transparencies.

Box 3: Domestic, 1980s-1990s, 164 colour transparencies; Holiday photographs [some faded], July 1986 and undated, 34 colour transparencies; Dennis, February 1990, 16 colour transparencies; Jen’s family [faded], undated, 19 colour transparencies; Miscellaneous, some unidentified, 1990s, 26 colour transparencies; Unidentified slides, 1990s, 172 colour transparencies.

Box 4: Miscellaneous unidentified slides, 1980s-1990s, 320 colour transparencies.