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Quotations, speeches, press cuttings and published articles, a few by George Wyllie, mostly by others. 1983-2001, with photocopied extracts from earlier works.

Contents: 'International Institute of Geopoetics': inaugural text by Kenneth White, 1989, 2 pp; NSEAD [National Society for Education in Art and Design] Annual course and conference, ‘Art and design and regeneration’, 1990: 'What can we do?' Workshop by George Wyllie: programme; Scottish Council Foundation, Creativity think tank, 2001: programme and invitation; 'What can we do?', 1991; 'Facing the future: a new agenda for the arts?' by Ian Christie, Demos, 1991; Arts Council of England brochure, c 1998; Yaddo Project, New York, USA, undated booklet and press cutting from 'Saturday Herald', undated; 'Celebrating Scotland: a national cultural strategy', Scottish Executive, 1999, booklet, 16 pp; Talk by George Wyllie at Arts and Communities Forum, Dundee Arts Centre, 1995, 3 pp; 'Avantgarde and social awareness: the example of Joseph Beuys', by Franz-Joachim Verspohl, source and date unknown, pp 23-37 (photocopy); Hand Hollow Foundation, New York, USA: information for residents, 1983, 3 pp; 'The artist and his time, from ‘The myth of Sisyphus’' by Albert Camus, first published in 1953 (photocopy); 'People: structure: engineering: standing on the shoulders of giants', by Chris Wise, Structural engineer, vol 78:1, 4 January 2000, pp 24-28 (offprint).

Manuscript and typed documents, project proposals, notes and sketches, mostly by George Wyllie, correspondence, photographs.

Contents: 'Synenergezetics simply explained', manuscript and typed notes and drawings, undated; 'The Spire: air, equilibrium, stone', undated; 'The Spire', 1995, and leaflet on Künstlerhaus Bethanien, Berlin, undated; 'The Spire', 1994 and 1988; 'Explaining Scul?ture and the synergetic cycle ... etc? Also More explaining', manuscript notes, November 1993 [for exhibition at Lillie Gallery, Milngavie?]; 'The Lumsden Spire', undated; 'Synenergezetics', December 1994; Definition of ‘Synenergezetics’ by George Wyllie, May 1995; 'The Spire: equilibrium', 1996; Livingston Town Square sculpture, 1995; 'Mystery Spire': manuscript proposal, undated; 'The Oldham Spire': proposal, June 1992, 3 pp; University of Strathclyde sculpture commission competition, June 1993: leaflet on shortlisted works, correspondence, sketches and proposal for George Wyllie’s Strathclyde Spire, with 2 colour photographs 180 mm x 125 mm; 'Multi-spire: Scottish Sculpture Open', 3, 1985: proposal with sketches, 1985, 2 pp; 'Sculpture for Peterhead Power Station': proposal, manuscript notes and sketch, July 1983; Flexy sculpture, World Headquarters, General Accident Insurance Co, Perth: notes and sketch c 1982 and description [press release?], 1983; 'The Broomielaw Spire: the sculptor’s aspirations': proposal, February 1992; 'A Spire for Ben Lomond Memorial Park': proposal, August 1996; 'Cradle': proposal, undated; 'Extending Tatlin': manuscript notes and sketches, 1995; 'Synergic art manifesto', by Murdo Macdonald and George Wyllie, April 1992, 3 pp, also version in German language, 2 pp.

Manuscript and typescript posters and documents by George Wyllie.

Contents: 'On civil disobedience', January 1999; 'Robinson Crusoe nearly slept here', manuscript exhibition poster, undated, 2 copies; 'Scul?ture', manuscript exhibition poster, 1981 and typed note: ‘Where Scul?ture has been, 1966-1981’; 'The Serpentine gushers', manuscript exhibition poster, 1981, 4 versions; You are invited to spend ‘A Day down a Goldmine’, manuscript poster, undated, 6 versions; 'A short history of action painting', manuscript document, 1981; 'The difference: tree, stone, glass and photographs', printed extract from ‘The eye of the storm: Scottish artists and the nuclear arms debate’, 1986; 'A Day down a Goldmine' sketch mounted on gold card, undated, with manuscript title ‘A Day down a Goldmine’ on white card; 'Destiny', manuscript title, undated.

Manuscript and typed documents, mostly by George Wyllie.

Contents: 'The Personal Manifesto', 1980, manuscript, 6 pp and typed version, 2pp; 'Manifesto', 1988, typed document, 2 pp; 'Personal Manifesto', 1991, typed document, 2 pp; 'Faultfinder', undated manuscript, 2 pp; Joseph Beuys: ‘Das Kapital’: an appeal for an alternative, undated printed copy, 7 pp (2 copies); 'Das Capital (or all that’s gold may not glitter either)', by George Wyllie, undated manuscript and typed documents; 'What can we do?' Prospectus for a lecture, [1990]; 'The Spire', 1988 and 1994; 'Synenergezetics', 1994; 'Real, not real', undated.

Catalogue introductions by George Wyllie. Manuscript and typed documents.

Contents include: 'Directions in scul?ture', 1983, manuscript notes, 6 pp; Interlude, with manuscript notes for exhibition; 'Scul?ture': St Andrews Festival, 1983; 'Scul?ture', for London exhibition, April 1979; 'Scul?ture': Collins Exhibition Hall [University of Strathclyde], January 1981; Introduction for unknown exhibition; Blake’s Bike, [19 ]; 'All my own work: a nearly missed review', 'Stirling Gallery news', no 4, June-August 1982 (offprint); 'Scul?ture': exhibition in Hendersons Gallery, Edinburgh, 1978, with catalogue, 4 pp.

Discussion papers, correspondence, post cards, typescript articles by other writers, journal issues, 1976-1999, with photocopies of a few earlier items.

Folder 1 Contents: Letter from Renny Nisbet, Edinburgh to George Wyllie, enclosing post cards of Nisbet’s sculpture ‘Red shift’, 1996; 'The economy of the arts: the big picture': speech by Michael D Higgins, Republic of Ireland, undated, 9 pp; 'Conclusion: towards a new aesthetic', from ‘Art, action and participation’, 1976, pp 278-281; 'Dreaming the truth': a discussion paper on the arts, Church of Scotland Church and Nation Committee, 10 pp, with letter from Church to George Wyllie, 2 September 1994, seeking views on art and faith; 'Restructuring art: are aesthetics and social responsibility compatible?' by Suzi Gablik, photocopy from unknown source, c 1991, 3 pp; 'Art for the 21st century: Joseph Beuys and the extended conception of art', by Shelley Sacks, faxed copy, 1994, 12 pp (poor quality); 'Cultural confidence' [on establishment of Gallery of Modern Art, Glasgow], by Gemma Tipton, ‘Circa’ Irish arts magazine, July 1996, 3 pp; 'A Festival overture', by George Steiner, Edinburgh Festival 1996, 15 pp; 'Informing ourselves to death', by Neil Postman, 1992, 6 pp; 'The story of the last book of the rich alphabetical hours of the Chopins': exhibition notes by Henri Chopin, Third Eye Centre, Glasgow, 2-23 June 1984, 3 pp; Bill Moyers’ journal: transcript of ‘Mind at large: Adler on Aristotle’, Educational Broadcasting Corporation, 19 March 1979, 23 pp; '20th century art: a perspective out of the 1994 Edinburgh Festival', by Marion Briggs, source unknown, pp 8-9; Extract from ‘Connective aesthetics: art after individualism, by Suzi Gablik, [1992?], pp 74-87; 'Maharajah for a day', by P Boardman, from ‘Patrick Geddes in India’, edited by Jaqueline Tyrwhitt, 1947, pp 2-5, 96-103, with correspondence from William Soutar Fellowship, Perth, 10 March 1996 concerning Geddes in Perth day; 'Maharajah for a day', with covering letter from Kenny Munro, 10 December 1996; Extracts from ‘Every man his own art critic', by Patrick Geddes, 1887, pp 6-9, 24-25, and from ‘Dramatisations of history', by Patrick Geddes, 1923, pp 158-163; 'Sketch of Professor Geddes', University College, Dundee, from ‘The wizard of the north, 28 May 1896, with note on Patrick Geddes, by Duncan Macmillan, 'Saltire Society' newsletter, undated; Extract from ‘The interpreter: Geddes’, by Amelia Defries, 1927, pp 192-195; 'Patrick Geddes in context: glossing Lewis Mumford in the light of John Hewitt': paper presented to John Hewitt International Summer School, County Antrim, by Murdo Macdonald, 28 July 1994, 19 pp; 'Patrick Geddes and Perth': expanded from paper presented at Geddes in Perth Day, by Murdo Macdonald on 13 April 1996, 19 pp; Publishing details of ‘Blake: an illustrated quarterly’, vol 27:3, Winter 1993/94.

Folder 2 Contents: Correspondence, programme and menu for dinner and dance, Incorporation of Coopers of Glasgow, Trades Hall, Glasgow, 5 March 1999, with ‘Trades Hall: a guide’, by RWKC Rogerson and W Leggat Smith, undated, 16 pp, and ‘The Trades House of Glasgow: past, present and future’, 'Trades House of Glasgow, 1989', 30 pp; 'The interest is killing us', by Roger Schmitz, reprinted from 'Monetary reform' magazine, February/March 1994, 5 pp; 'Songs of the stones' European Community of Stones project, 1992, 7 pp; 'The Cretan labyrinth: archetypal landscape design symbol', by Emilie Humphreys, Radcliffe seminars, 1 May 1991, 17 pp; 'The idiosyncratic focus of conflicts', by John Kaska, Demarco Archives 1966-1997 exhibition, 3 pp; 'Leonardo-Beuys: the notebook as experimental field', by Martin Kemp, undated, 12 pp; 'Remarks on the development of the early sculptures leading to the most recent sculptures (1983)' by Royden Rabinowitch, Orchard Gallery, Londonderry, 1983, 18 pp booklet; 'Artiscience, artiscient', 4 October 1996, 2 pp; 'Art, the social construction of the self and the Classical tradition in Scotland', by Murdo Macdonald, from Common sense, 12, 1990s, pp 82-92: Extract on work of Latham, source and date unknown, p 165; Details of book on structures, by J E Gordon, with letter from Les ... Paisley College, 4 March 1992 to Ricky [Demarco?]; 'International surrealist bulletin no 4', September 1936, 20 pp [featuring International Surrealist Exhibition, London, 11 June-4 July 1936; text in English and French]; 'The problem of increasing human energy', 'Century' illustrated monthly magazine, June 1900, pp A-109-A-151; 'The ill-clad city: Glasgow turns its back on public art', by David Harding,' Journal of Art and Design Education', vol 16:1, 1997, pp 35-45 [features George Wyllie’s Safety pin].

Manuscript and typescript documents by George Wyllie, many undated, and press cuttings.

Folder 1 contents: '50,000 gallons of fuel to convey an orange', undated manuscript, 4 pp; Review of Broodthaers exhibition at Edinburgh Festival 1977, 2 pp; 'Towards the great terminus', 1970; manuscript on computers, undated, 2 pp; Tim Stead obituary, June 2002; 'The difference [on Hiroshima]', 1986; 'Grasping a thistle: Scotland and the visual arts', October 1991, 4 pp, also photocopy from ‘Gairfish: the McAvantgarde’, 1992, pp 146-150; ‘Greenock revisited’ [on Malcolm McCoig], March 2000, review for 'Greenock Telegraph'; Letter of support for Willie Fulton concerning ‘Under one sky’ project, November 1999, with project proposal by Willie Fulton; Gordon Munro: text for exhibition catalogue, September 1999, with printed copy; 'On civil disobedience', January 1999; Sketch and manuscript Customs declaration, undated; 'Impossible beginnings': contribution by George Wyllie to ‘A Scottish childhood’, July 1997, with correspondence from N Bailey, Killearn, August 1997; 'Real, not real, undated'; Greetings: Bosun’s Pipe exhibition, Portsmouth, July 1996; Letter to the Editor, 'The Herald', Glasgow on Inverclyde development, November 1997; 'Equilibrium – an’ a’ that', undated; 'My experience of making art beyond the gallery...' February 1997, 2 pp; 'i on the truth of stone', January 1995; 'For the burds', undated, 2 pp; 'Notes on eagles', undated; Letter to the Editor, 'The Herald', Glasgow, on the People’s Palace and George Wyllie’s All-British Slap and Tickle Machine, February 1997, with press cuttings; 'Experiments under nostalgia’s umbrella': review of performance at Third Eye Centre, Glasgow, 21-22 October 1987; ‘X’ marks the spot for Demarco [on conference at DECI], undated, 3 pp; Speech to Arts and Communities Forum, Dundee, December 1995; 'Scul?ture at sea', August 1987; Press release – ‘Arrivals and sailings... the Funnels are coming', April 1988; On RGI, with sketches of fish, 1986, 4 pp; 'How Italy really won the war', 1980s; 'The Yanks are coming [on the Parade of the Missing Tourists]', 1986; George Wyllie’s ‘Corrupting the young’, undated, 6 pp; 'On Cyril Gerber', undated; 'A very good question, James', typescript, 4 pp, with printed copy from Edinburgh review, 88, pp 58-62; Letter to the Editor, 'Greenock Telegraph' on Gourock Ropeworks, August 1992 – press cutting; 'The SSA', 1989; 'A Faultfinder' [sketch], 1982; 'Consulting the parrot', undated, 2 pp; Letter to the Editor, 'The Herald', Glasgow on devolution, November 1995; 'The impossibility of empire', June 1992, 3 pp; 'Here we go again', January 1988; 'The day we went to Documenta in Kassel', June 1978; 'Kissing time in Eastern Europe', undated, 6 pp; '1996 and all that', 2 pp; 'Reason, emotion and cheap tin trays', December 1987; 'Dear Tim, dear Angus [on new Scottish Gallery]', undated, 3 pp, sent to 'Scotsman' newspaper; 'The Edinburgh International', undated; 'Govan is a village', September 1992, 2 pp, and another version, 'Govan is still a fishing village', undated, 2 pp; 'Elusion and illusion' [c 1991], 3 pp; 'The Original Earth Guarantee', printed and manuscript copies, undated; Sketch for layout of a booklet, undated; Letter to the Editor, 'The Herald', Glasgow, on Royal Scottish Academy Galleries, November 1989; 'A book that changed me', 1990, 2 pp; The SSA: presidential address, 1987; 'Balanced precariously' [on SSA exhibition], undated; 'Adam and Eve': manuscript with sketches, undated, 6 pp; 'Hawk caught in telegraph wires', with sketch, undated; 'Thoughts for days', undated, 3 pp; 'On social sculpture', October 1987; 'On the existence of non-existences?' undated manuscript, 3 pp; 'America', undated manuscript, 7 pp; 'On the people of the world', undated manuscript; 'On Richard Demarco Gallery', undated; 'On Richard Demarco', undated; Spoof letter to Barbara and Murray [Grigor], Inverkeithing, Fife, 18 December 1986; On the influences of Joseph Beuys and Jean Arp on his work, November 1986; 'Vigorous vespers, Amsterdam', undated; On Glasgow Green, undated manuscript; A book about ferries, undated manuscript notes; ‘Ladderback’ and ‘Miss Cranston slept here’, manuscript notes with sketches, 1982; 'Applaudiemaschine für Gemälde' [Applause machine for artists], undated notes in German; On the nature of art, undated; Edinburgh-Sarajevo, 1988 and 1994, February 1994; 'Strategy-get-arts archive', manuscript notes, July 1994; Draft for launching at ‘PB’ [Paper Boat] lecture, undated; Speech on R Demarco, undated manuscript, 2 pp.

Folder 2 contents: The Stones of Scotland project, January 2003; 'Divine Rhythm', August 2000 [crossed out]; 'Testimonial for Renny Nisbet re Nantes', April 1998; ‘Stripped Bare by her Bachelors, even’, [19 ]; 'The Fall', November 2001; Testimonial for Renny Nisbet re Kilmartin House, Argyll, May 2001; The Walker Hunt Memorial [inventor of the safety pin], [19 ]; 'Skylight', [19 ]; Letter to Editor of 'The Herald' on redevelopment of Gourock, 18 November 1997. 2 pp; Resurgam, June 1999; PITA-People, [19 ]; 'Synenergezetics: a bridge to being?', November 1996. 2 pp; 'Hiroshima', 1986; 'i on the Truth of Stone' [on Calanais], January 1995; ‘Fade in Bloody Death to Beauty’: manuscript poem, [19 ]; 'The Spire', November 1996. 3 pp; 'The Tweed Bike', July 2001; 'A very good Question, James.' Edinburgh Review, 88, pp 58-62 (photocopy); 'New Beginnings?', June 2002; Testimonials for Chris Carrell and Eric Wishart, July 1998; ‘I once went down to the sea again’, [19 ]; Testimonial for Karen Radford, [19 ], 3 versions; ‘A Tentative Stone for Scotland’, December 2000, several versions; letter to Editor of ‘Artwork’, [19 ]; 'A Fearful Symmetry', October 1994; ‘Skylight’, [19 ]; Obituaries for Tim Stead, July and September 2002; Testimonial for Renny Nisbet re New Delhi, April 1998; Testimonial for Dennis Connors, December 2000; 'The difference of Hiroshima', [19 ]; 'Air and Stone', 1999; ‘Seven Vital Sparks’, September 1999 and July 2001, each 2 pp; 'Why Sculpture... and why the Sculpture Trust?' [19 ]; 'Resurgam Revisited', February 2002; Letter to the Editor of 'The Herald', July 2001, on global monetary system; 'The Clackmannan Sea Chest', August 2001; 'Accommodating passion', c 2000; ‘There’s nothing more certain than uncertainty' – fragment, 1999; ‘Wrap the pianos in felt’... – fragment, [19 ]; The ‘Wee Hauf’, May 2000, 2 pp; 'What else could a Viking do?' [poem], [19 ]; 'The crystal air of Inverclyde', March 1999, 2 pp; ‘Divine Rhythm’, August 2000, with note from Dawson Murray; 'A First-foot for the Capital', December 2000 [on Stones of Scotland]; 'An analysis of mediocrity', July 2000, 4 pp; 'The Whinhill Witness', [1998]; 'A Stone is a Stone'... [manuscript document], [19 ], 2 pp; 'The Safety Pin Song' [poem], [19 ]; 'Margot Sandeman', August 2000, with exhibition catalogue; Quartz – fragment, [19 ]; 'Alternative comedy', [19 ]; 'The Cosmic Voyage', May 2005, 4 pp.

2 sheets pasted together to create single page.

Typescripts, manuscript and printed extracts by George Wyllie and other writers.

Contents include: 'Poems and songs to lift the heart', printed from internet, January 2003, 4 pp; 'Abort abort', undated; Letter from ... Thurso, 5 October 2001 to George Wyllie, 2 pp, mentioning Atlantic Vent; Poems by Rabindranath Tagore; Introduction to ‘The World Song’, by George Wyllie? undated, 10 pp manuscript and typescript; Poems for the Stones of Scotland project, 2000; 'The beginning of a new song', by Iain Crichton Smith; 'Miklagard', by Colin Mackay, unknown source and date, pp 66-70; 'America’s poet, Walt Whitman, by Joel L Swerdlow', offprint from 'National Geographic', with poem by Robert Frost, ‘The gift outright’; 'For George Ralston Wyllie', by Kenny Munro, August 2000, with 'For Graham Mitchell Ross', by George Wyllie, and information on ‘The Dedication Books’ from Alec Finlay, 'Morning Star', Edinburgh, undated; 'Happy Compass', poem and illustration for 'An Leabhar Mor' [The Great Book of Gaelic], 2002, with project details; 'Ode to the best pair of legs in Glasgow', by George Wyllie, manuscript and typescript copy; 'The Safety-pin song'.

Extracts and quotations from works by other writers, and sketches, mostly undated.

Contents: 'Rainbow'; 'Song of the Clyde'; 'To the next past' (Kurt Vonnegut); 'Entertainment'; Aristotle; 'The Nautilus' and 'the drunken boat', by Roland Barthes; 'Le Bateau ivre'; Shamanism; Adventures of Robinson Crusoe; Plato; Caithness reconquered, 2002; Mr Micawber [Charles Dickens]; 'Resurgam', [by George Wyllie?], 1999; Of the sense of propriety; 'A Christmas Carol' [Charles Dickens]; 'Harvesting the Edge', by G F Dutton; Norse myths; 'Mitteleuropa', by Claudio Magris; Jarry: Pataphysics; Hans Vaihinger; Ecclesiastes [Bible]; Captain Hook battle [J M Barry, Peter Pan]; 'Hamlet' [Shakespeare]; 'Staying alive at work', by David Whyte; 'The Mirror of the Sea', by Joseph Conrad; Ubu; 'Meditations on a Hobby Horse', by E H Gombrich, 1963; Liberty; Robert Burns quotation.

Typescripts by George Wyllie, with notes by other writers.

Contents: 'Bye bye Blackbird'; Bye bye Blackbirds suggested running order; 'The Ravens' [Serbian folk poem]; 'Sultan Murad fell ...' ; 'Notes on aircraft'; 'Celtic wisdom'; 'Bye bye Blackbird' 1 and 2.

Set of original drawings for the book 'My words : George Wyllie's original ArtWork essays' (Famedram, 1998), also photocopied set. 40 pp.

My Words: essays by George Wyllie published in 'Artwork'. Typescripts, sketches and press cuttings. Also published as a book.

Folder 1 entitled 'W[ritings]: My Words' containing final proof for 'My Words, George Wyllie's Essays for Artwork' book published Famedram, 1998.
Contents: Cover design and title page for book; Sketches for opposite Preface and Foreword, January 1998; Preface, 1997; 'Voyaging beyond the bath-tub', June/July 1995, 4 pp; 'Now you see it ...' August/September 1995, 4 pp; 'Is it art, but', October/November 1995, 4 pp; 'The drone of conferences', December 1995/January 1996, 4 pp; 'A sideways look at gravity', February/March 1996, 4 pp; 'Breaking the habit', April/May 1996 (printed copy); 'All the fun of the * fair', June/July 1996, 3 pp; 'It’s a bonanza', October/November 1996, 3 pp; 'Clan, place, work', December 1996/January 1997, 4 pp; 'No beginnings in the offing', February/March 1997, 4 pp; 'Here’s to uncertainty!' April/May 1997, 3 pp; 'A ferry story', June/July 1997, 3 pp; 'Sketches of rabbits; Elton', October/November 1997, 3 pp, 'with The adulation of the mediocre', 4 pp; 'Cruising down the river', December 1997/January 1998, 3 pp, also revised version; Correspondence re ‘My words’ book, 1998.

Folder 2 entitled 'W[ritings]: Artwork' containing essays by George Wyllie published in 'ArtWork'.
Contents: 'An analysis of mediocrity', July 2000, 3 pp; 'Down in the tunnel something stirs', March 2000, with press cutting from 'ArtWork' 103; 'Alternative comedy', undated, 3 pp; 'The invisible revolution', December 1999, 2 pp, with press cutting from 'ArtWork' 101; 'On not writing about the millennium', undated, 2pp, with press cutting from 'ArtWork' 100, October/November 1999; 'The insistence of the stones', July 1999, 2pp, with press cutting from 'ArtWork' 99; 'The SOS...' 1999, 3 pp, with press article ‘George Wyllie on the quest for the stones of Scotland', 'ArtWork' 95, December 1998/January 1999; 'Enhancement by adjectives', press cutting from 'ArtWork' 96, February/March 1999; 'Done to a T...' press cutting from 'ArtWork' 93, August/September 1998; 'An introduction to teabag folding', with letter from Mrs K A Butlin, Dundee to George Wyllie, 9 October 1998; '‘Being’ with a capital ‘B’', undated, 2 pp, with press cutting from 'ArtWork' 92, June/July 1998; 'Desert island tapes', undated, 2 pp, with press cutting from 'ArtWork' 91, April/May 1998; ‘On yer bike’, January 1998, 2pp, with press cutting from 'ArtWork' 90; 'Cruising down the river': press cutting from ArtWork 89, December 1997/January 1998; 'Twenty year voyage beyond the bath-tub': press cutting from 'ArtWork' 74, June/July 1995; 'Getting to grips with a concept': press cutting from 'ArtWork' 75, August/September 1995; 'For a’ that and a’ that...' press cutting from 'ArtWork' 76, October/November 1995; 'Echoes of conferences', November 1995, 2 pp, with press cutting from 'ArtWork' 77; 'Sideways is best!' January 1996, 3 pp, with press cutting from 'ArtWork' 78; 'Breaking the habit', undated, 2pp, with press cutting from 'ArtWork' 79, April/May 1996; 'All the fun of the art fair', May 1996, 3pp, with press cutting from 'ArtWork' 80; 'Bonanza time at the Arts jamboree', 1996, 2 pp, with press cutting from 'ArtWork' 82, October/November 1996; Advert for George Wyllie’s book, ‘My words’, 'ArtWork' 89, December 1997/January 1998; 'A clan gathering – and how!' 1996, 3 pp, with press cutting from 'ArtWork' 83, December 1996/January 1997; 'No beginnings in the offing?' January 1997, 2 pp, with press cutting from 'ArtWork' 84; 'Here’s to uncertainty!' 1997, 3 pp, with press cutting from 'ArtWork' 85, April/May 1997; 'A ferry story', 1997, with press cutting from 'ArtWork' 86, June/July 1997; 'Where does space exist?' 1997, 2 pp, with press cutting from 'ArtWork' 87, August/September 1997; 'The adulation of the mediocre', 1997, 2 pp, with press cutting from 'ArtWork' 88, October/November 1997.

Articles by other writers, typescript and press cuttings.

Contents: 'By leaves we live', by Kenny Munro, 'Reforesting Scotland', 18, Spring 1998, p 38, photocopy; Extracts from ‘Scottish firsts’, by Elspeth Wills, 'on Sir Alexander Fleming, James Watt, William Thomson Lord Kelvin, Alexander Graham Bell and John Logie Baird', undated typescript, 9 pp; 'Independence for Leith', by Sandy Campbell, September 2002, typescript, 4 pp; Email document, ‘The digital haze’, September 2001, 6 pp; 'In the room of the shaman', by Michael Tucker, c 1997, photocopy of typescript, 13 pp; 'Either the ladder or the wheel', by Patrick Reilly, press cutting possibly from 'The Herald', 8 May 2000; Photocopied articles on jade, lantern, stone and metal, source and date unknown, with manuscript note and sketch, 9 pp; Proposal for the creation of urban cultural network, by Bernard Kohn, Paris, April 1998, 7 pp, photocopy [on Geddes and Montpellier]; 'Will the emu fly?' By Robert McDowell, Demarco European Arts Foundation, Edinburgh, 30 November 1996, typescript, 7 pp; 'Captain Cadell’s canoe: the return of the Forerunner', by Kenny Munro, 'Reforesting Scotland', 25, Winter 2000, pp 44-45, photocopy; 'Now we seek to kill off the mind that first became aware of its soul', by Phil Barker, 'The Herald', 29 July 2000, p 15; 'The Gourock carcass', extract from ‘Bring me the head of the sea serpent’, by Karl P N Shuker, 'Strange Magazine', 15, Spring 1995; 'The man who knew all', by Bernard Levin [on Montaigne], unknown source and date, press cutting; 'The oldest alliances': book review by Kenneth White, 'Scotsman', 24 February 2001, press cutting; 'And did those feet?' [on William Blake, Glastonbury etc] with sketches, by C G S, photocopy, source and date unknown, 24 pp; 'The Consignia Lecture', by Kenneth White, photocopy of press article, 'The Herald', undated; Photocopied extracts on Hugh Miller and James Hutton, endorsed ‘Ref only for SOS [Stones of Scotland]', unknown source and date, 2 pp.

Booklet about the ancient stones of Calanais and thoughts upon the truth of stone. Gourock: George Wyllie, January 1995.